Customizing Olympus PEN (part 1): VF-2 viewfinder

No camera is perfect: neither the old film cameras nor the modern digital variety, not even the otherwise excellent Olympus Micro Four Thirds range. I’ve had an Olympus PEN E-PL3 as my main digital camera for over a year, and while I like it very, very much, I decided to do something about two annoying mechanical design flaws it has. The first problem is the loose fitting of the VF-2 viewfinder.

I’ve already explained here why I ended buying a VF-2 viewfinder for the E-PL3. While excellent as such, it has one severe design flaw: it lacks a lock to keep it securely fitted to the hot-shoe; it is kept in place practically by friction alone. I think this was a really stupid oversight from the Olympus company; the error has been fixed in the later VF-3 and VF-4 viewfinder models, though. I haven’t actually dropped the viewfinder yet, but on several occasions, like when taking the camera out of the camera bag, I’ve noticed it being partially dislocated and on its way out.

As you can see, there’s a small spring-loaded pin at the bottom of the viewfinder, which is supposed to secure it to the hot-shoe, but the spring itself is way too weak to do its job properly.

VF-2

Here’s my resolution for the problem: a spring clip made from ⌀1.5mm steel wire, and partially covered with heat-shrinking tube. The wire ends are designed to lock into the grooves on the sides of the VF-2. It is a bit tricky to fit, but because I keep the viewfinder almost always in place on the camera (I do not use the clip-on flash), it doesn’t really matter.

Spring clip

A series of pictures to show how it fits in place. I hope you don’t mind me boasting about this, but I think this is really a very neat looking solution to the problem; the clip looks like it was part of the original design…

Clip in place #1
Clip in place #2
Clip in place #3
Clip in place #4
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Miranda S

I’m happy to introduce the latest addition to my, apparently, ever growing Miranda collection: a Miranda S from the year 1959, serial number 592277. The ‘S’ was an economy version of Miranda’s first camera, the ‘T’, having only the faster speeds 1/30-1/500 and the waist level finder fitted as standard.

I got this almost pristine example from the UK via eBay with quite a reasonable price. Fully working, of course…

1959 Miranda S
1959 Miranda S top
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Eyepiece correction lens

I had a correction lens made specificially for the Miranda rubber eyepiece. It wasn’t actually cheap, but now I can ditch the damn glasses while photographing… “Four-eyes” and cameras, old or new, just don’t mix!

Miranda rubber eyepiece
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Film / slide scanner

Now that I am a more or less happy Plustek OpticFilm 8100 film / slide scanner owner, I don’t have any excuses like “I don’t have anything to do!” during the winter: I need to digitize my dad’s 30+ years worth of 35mm slides (mostly Kodak Ektachrome), and all of my old films… Well, there’s no point in scanning them ALL, but it is a huge task anyway.

Speaking of the Plustek scanner, it is an extremely good piece of hardware. The scanning results are quite impressive. However, there are some minor flaws in the design:

  • The design of the film holder is not the best possible; it does not always keep the film firmly in place. The slide holder is much better, though.
  • The indexing of the film / slide holder within the scanner is quite bad; the spring loaded claw which should keep the holder correctly aligned and in place is way too weak, sometimes forcing me to align the holder manually by trial and error.
  • The bundled Silverfast 8 scanning software is – basically – very good; however, it’s user interface is frustratingly clumsy. I prefer using the scanner via Vuescan.
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Developing the first black & white film

Last Monday I spent an interesting evening in the Tampere Camera Club‘s (Tampereen Kameraseura) film laboratory situated within the basement of the “Metso” library. In there I developed, for the first time without any outside help, a black and white 35mm film. It may not sound much, but for me it was a big step to the great unknown…

The film in question was my last roll of Lomography / Earl Grey 100 (i.e. rebranded Fomapan 100 Classic). I really like that film’s wide tonal range and the beautiful silvery sheen of the middle shades. The developer used was Kodak D-76 stock solution. Developing time was 5.5 minutes at 21℃.

The roll of film was exposed to the rays of light by a 1967 Miranda Fv, mostly using the stock 50mm f/1.9 lens. Below are some sample pictures from the roll.

Tampere University
Duck pond
Satakunnansilta (Satakunta bridge)
The former Frenckell factory
Stairs beside the Hämeensilta (Häme bridge)
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